Acoustic Guitar, Electric Guitar, Music Theory, Music Production.
ABOUT MYSELF EDUCATION DEGREES 1° Classic Guitar at Conservatorio G. Verdi of Turin (concert player) 2° Musical Disciplines at Conservatorio G.Verdi of Turin (classic guitar) 3° Music Teaching at Conservatorio G Verdi of Turin 4° Popular Music at Conservatorio G. F. Ghedini of Cuneo (Pop and Rock) 5° Degrees/Academy bachelor in Music Therapy at Serming of Torino DIPLOMAS and HONOURS 1° Social Services technician diploma 2° Academic bachelor in rock – blues and hard-rock/ heavy electric guitar at ‘Accademia Musicale Lizard’ (Fiesole) 3° Academic bachelor in movies and animation music at ‘Accademia Musicale Lizard’ (Fiesole) 4° Academic bachelor in Performance at ‘Accademia Musicale Lizard’ (Fiesole). CERTIFICATIONS and ACCOMPLISHMENTS 1° Software certification: Pro Tools 2° Software certification: Ableton Live 9 and 10 3° Software certification: Cubase 8.5 4° Software certification: Cubase 9 5° Software certification: Logic Pro 9 and 10 6° Sound engineering certification 7° Software certification: Musecore 8° S.P.M. (Scuola di Alto Perfezionamento musicale in Saluzzo) cetification in Organisation and management of primary and intermediate music schools 9° Certification: English Phonology for Singers at Black Swan (Torre Pellice) 10° Certification Trinity College London with Abigail McElheron at the Trinity College exam centre in Novara (Brera Musica dance and free arts) for the recognition and admission of candidates to the 2017/2018 exam sessions. Further classes Scuola Media Nigra di Torino: update class on teaching, society and culture in Italy after twenty years of ‘epochal reforms. Among the disappearance of teaching, impoverishment of the teaching function and cultural decadence.What are the prospects. TEACHING WORK EXPERIENCE Teacher as RGT (Registry of Tutor) Great Britain/Malesia (Singapore) Teaching classes of University of West London RGT @LCM Teaching classes of RockSchool RSL (Gran Bretagna) Teaching classes of Trinity College London (Great Britain) and official member of Italian Trinity College Teacher and principal of music school C.M.A. (Classic Modern Academy) in Turin Teacher and examiner of St. Cecilia School of Music (Australia) - BIMED exams certificator Teaching ABRSM classes in London MASTER 1° Classic Guitar International Festival “Nova Camerata dei Bardi” Bardonecchia 2° Classic Guitar International Festival “Nova Camerata dei Bardi” Bardonecchia 3° Classic Guitar and Lute International Festival “Nova Camerata dei Bardi” Bardonecchia 4° Master’s in composition and arrangement, modern music education, turnist and sound technician at the Lizard Music Academy (Fiesole). FURTHER STUDIES Software: Audacity Guitar Pro Cake Walk Garage Band Stage Live Fractal FX Ace Band in a Box Sibellius Finale Transcribe! SEMINARS 1st e 2nd Seminar “Ability Tecn – Help” Lingotto fiere, Torino Conservatorio G. Verdi in Turin: classic guitar - lecturer Maurizio Colonna Conservatorio G. Verdi in Turin: Guitar repertoire of the 20th century- lecturer Oscar Ghiglia Lizard Music Academy: Acoustic guitar – lecturer Massimiliano Cona Modern singing – lecturer Jackie Perkins New guitar techniques for execution and effects– lecturers Miky Bianco and Tony Degruttola Acoustic guitar in the different genres and musical styles – lecturer Giorgio Verderosa Electric guitar– lecturer Batio Michael Angelo Electric guitar– lecturer Neil Zaza Dracma Records Torino: drums – lecturer Nicko Mcbrain (Iron Maiden) Electric guitar– lecturer Guthrie Govan Electric guitar– lecturer Marcelo (Europe) Electric guitar– lecturer Steve Vai, at Lapsus Turin Electric guitar– lecturer Kiko Loureiro (Angra – Megadeth), at Lapsus Turin Electric guitar– lecturer Paul Gilbert (Mr. Big – Race X), at Magazzini Gilgamesh, Turin RGT@LCM: music education fair at University of West London UNIVERSITY OF WEST LONDON (London College of Music Examination) SEMINARY/WORKSHOP New LCME Popular Music Vocals Syllabus Parents, Practice & Patience Open Q&A session: LCME Chief Examiner in Music The ISM: Legal Essentials Making Music Accessible for All: Music & Dislexia Creative Guitar Teaching Composition: Step by Step LCMS Teacher Membership Ukulele: A Gateway to a Musical Life Stave House: Music Grows Up With You Practical Improvvisation: The Nuts & Bolts Why Bother With Theory? (The relevance of teaching music Theory to popular performance musicians Acoustic Guitar Performance Workshop Rhythm First, Notes Second Online Teaching: Creating Engaging Content The ISM: Legal Essentials and Setting Tuition Fees Exibitors: LCM Examinations RGT at LCM Dexibell Digital Pianos Go Create Academy Incorporated Society of Musicians Performance Teaching Through a 21° Century Lens: Question time: What Makes Effective Instrumental & Vocal Teaching? The Teaching Studio Techonology Assessment Business and Logistics ST. CECILIA SCHOOL OF MUSIC CERTIFICATION (AUSTRALIA) BIMED EXAMINER CERTIFICATION– St Cecilia School of Music Competences to be avaluated in a musical performance The ST-Cecilia evaluation protocol Evaluation of instruments Evaluation of the Ensemble Pedagogical evaluation from kindergarten to secondary school Actual competence (performance) The para-musical elements to be considered in a holistic evaluation (the brochure / hall program, the presentation of the artist and the program to the audience, the stage presence ...) TRINITY COLLEGE LONDON Italian member of the Trinity College of London in both pop & rock and classic musical field Presenter and promoter of classes Electric guitar Acoustic guitar Classic guitar (with related classes of music theory: theory and rhythmic solfeggio, ear training, harmony, improvisation, teaching of how to listen); Presenter and promoter of classes in classic and modern percussions: woods jazz woods WHAT I DO TRINITY COLLEGE Italian member of the Trinity College of London in both pop & rock and classic musical field Presenter and promoter of classes Electric guitar Acoustic guitar Classic guitar (with related classes of music theory: theory and rhythmic solfeggio, ear training, harmony, improvisation, teaching of how to listen); Presenter and promoter of classes in classic and modern percussions: woods jazz woods THEATRE M° Igudesman & M° Joo Orchestra Des Alpes e der la Mer (in collaboration with Operà theatre of Nice) operetta: Al cavallino bianco. COLLABORATIONS/TURNIST Exhibitions with several bands in various European clubs (Italy, Switzerland, Austria, Liechtenstein, Germany, France, England, Poland, Bulgaria); With progressive metal band “Rustfield”: Festival Italian Revenge” as support to: Love Machine, White Skull, Eldrich, Kappa Guest at “Merula Music Store” theatre in Cherasco (CN) Cuorgnè Rock Festival as best Italian proressive metal band: finalist MO. Wa. Rocht in Stadthall Walldorf (Germany) for three consecutive years as best Italian progressive metal band Emergenza Rock: finalist Support to Glen Hughes (former Deep Purple bassist) “Twins” pop rock project John Macaluso: drummer for Yngwie Malmsteen, The Ark, James La Brie Dream Theater; Symphony X; Andrea Pozzoli (Claudio Baglioni, Francesco de Gregori, Massimo Bubola, Nomadi, Lorenzo Cherubini – Jovanotti, Peter Gabriel) arranger and producer of the pop project "Twins" and Hard rock “The Upper Class Bastards” project; Event Horizon ‘80 rock project with Douglas Docker (keyboard player for Biloxi and Doucker’s Guild) with Swedish drummer Magnus Jacobson (Miss Behaviour). Cororchestra di Torino directed by M° Claudio Dina The Upper Class Bastards – Turin band (Luigi Anzalone drummer for Dragonforce) Supported Fates Warning Supported Blaze Baley (ex cantante degli Iron Maiden) DuoDinamico project of Turin city coucil a.y.2012 – 2013 on Piedmont occitane music (Artistic director) Guest of the Trinity College of London at National Grammy Awards – Mondo musica (Cremona – Italia) 2018. ENDORSER Signature electric guitars Luca Sagnuolo Mod. Fender Telecaster Luca Spagnuolo Mod. Fender Stratocaster Luca Spagnuolo Mod. Gibson Flying V Only Guitar mod. Fender Telecaster and Fender Stratocaster guitars SIGNATURE ELECTRIC GUITAR EFFECTS Distortion L.S. Pro Series Delay L.S. Pro Series DISCOGRAPHY 1911 lokomotif orchestra (movies and cartoons soundtracks) Ghoul: Turin Heavy-death-black metal band: 2 EPs 1 album (The art of Vampirism) recorded at Sinergy Studios of Beppe Crovella (keyboard player of ‘Arti e Mestieri’) 1 EP new metal recorded at Sinergy Studios recorded at Sinergy Studios of Beppe Crovella (keyboard player of ‘Arti e Mestieri’) The Upper Class Bastards (band hard – rock from Turin): 1 Ep recorded at Punto Rec studios in Turin 1 album “Nobless oblige” Cororchestra of Turin 1 album of occitane music (classic/acoustic/electric) recorded at S.P.M. (Scuola di Alto Perfezionamento Musicale) studios in Saluzzo Twins: 2 Ep pop rock Rustfield: 1 progressive metal album (Rustfield) Luca Spagnuolo: solo hard rock and rock blues project – 4 Ep RELEASES LISTENING GUIDES: ALANNAH MILES: Still Got This Thing Of You AMERICA: Children BILLY JOEL: Piano Man BILLY JOEL & RAY CHARLES: Baby Grand BOB DYLAN: Mr. Tambourine Man BRIAN ADAMS Summers of ‘69 CAT STEVENS: Sad Lisa Crosby, stills & nash: suite: judy blue eyess CROSBY, STILLS, NASH & YOUNG: Carry On DONOVAN LEITCH: Catch The Wind ELTON JOHN: Sixty Years On; Goodbye EMERSON, LAKE & PALMER: From The Beginning GENESIS: The Musical Box; Follow You, Follow Me; Burning Hope GHAHAM NASH: Simple Man JACKSON BROWN Call It A Loan JAMES TAYLOR: Something in the Way She Moves; Sweet Babe James JETHRO TULL: Mother Goose; Cheap Day Return JIM CROCE: I’ll Have To Say I love You In A Song KENNY LOGGINS: Lady Luck LEONARD COHEN: Sisters Of Mercy LOGGINS & MESSINA: Angry Eyes MARILLION: Lord Of Backstage NEIL YOUNG: The Needle And The Damage Done POCO: Keep On Trying’ PORCUPINE TREE: The Sound of Muzak PAUL SIMON: American Tune STEPHEN STILLS: 4 + 20 ; Black Queen SUPERTRAMP: Hide In Your Shell; Another Man’s Woman; Two of Us YES:Talk; Shoot High, Aim Low ROD STEWART: I Don’t Want To Talk About It SIMON & GARFUNKEL: Bridge Over Troubled Water ; The Boxer THE BEACH BOYS: Sloop John B ; Good Vibration THE BEATLES: Eleonor Rigby; She Said, She Said; Hey Jude; We Can Work It Out; Help!; Happyness Is A Warm Gun THE BEE GEES: Let There Be Love THE EAGLES: On The Border THE HOLLIES :Bus Stop THE QUEEN: Bycicle Race THE ROLLING STONES: Ruby Tuesday; Sittin’On A Fence; Jumping Jack Flash; She’s a Raimbow THE BYRDS: Mr Tambourine Man ALBUM: GENESIS: And Then They Were Three SUPERTRAMP: Crisis? What Crisis? YES: 90125; Big Generator; Talk ESSAYS Richard Wagner Vivaldi and the Lute Reginal Smith Brindle Contemporary music Led Zeppelin IV Yes 90125 BOOKLETS (MUSICAL GENRES) Cultured music Folk Rock Pop-rock Progressive rock and post progressive rock Country rock (progressive country rock) Songwriters (English and Canadian) BOOKLETS Effects – FX The Distorsion The Delay The Chorus The Flanger The Phaser The Compressor The wah-wah The Overdrive The Booster The Expander The noise gate The tuner The E-Bow The volume pedal The Pitch Shifter The Talk Box Microphones Microphone techniques The sound Acoustic insulation WHAT DO I TEACH CLASSICAL MUSIC DISCIPLINES THEORY, RHYTHMICS AND MUSICAL PERCEPTION Ear Training (A, B) Sung reading, rhythmic intonation(A, B) Theory and Solfeggio: Treble / Bass and Setticlavian key, Transport, sung General Music Theory Rhythmic / Melodic Dictation ANALYSIS/HARMONY Analysis/Harmony I Analysis/Harmony II Analysis/Harmony III Bach Corals Analysis (Schenker Method) DIDACTIC DISCIPLINES Musical Pedagogy Musical Pedagogy Foundations General Psychology Foundations Musical Psychology Methodology of music education ACOUSTIC, PSYCHO-ACOUSTIC, MUSICAL IT Musical IT I Musical IT II COMPOSITION Semiography of Contemporary Music INTERPRETATIVE DISCIPLINES Methodology and teaching of instrumental repertoire Executive practices I Executive practices II Executive practices and orchestra repertoire I Executive practice and orchestra repertoire II Monographic Repertoire I Monographic Repertoire II Issues and methods III Guitar and orchestra I Tablatures and their transcription for guitar Chamber music I Chamber music II Contemporary music workshop Literature of the instrument I, II, III Issues and methods I, II, III MUSICOLOGICAL DISCIPLINES History and aesthetics of Music: executive practice and authenticity History and aesthetics of music (ancient) History and aesthetics of music ('700 -' 800) History and aesthetics of music ('900) History and analysis of the repertoire: The American way at work History and analysis of the repertoire / History of musical theater: from musical to film, from film to musical History and literature of plucked instruments History and technology of instruments History of the Sonata Anthropology and musical ethnomusicology Teaching of listening Semiology of music THEORETICAL-ANALYTICAL-PRACTICAL DISCIPLINES Semiography of contemporary music ORGANIZATION, LAW AND LEGISLATION OF THE SHOWBUSINESS Organization, Law And Legislation Of The Musical Show PRACTICE OF PIANISTIC READING, PIANISTIC ACCOMPANYING, MUSICAL SCORE READING Complementary piano Reading of the piano score CHORUS, CHAMBER CHORUS Gregorian chant Choral exercises LINGUE STRANIERE English A1 – A2 English B1 – B2 Studies completed in England at St. Giles College (Brighton) MODERN MUSICAL DISCIPLINES THEORY Ear Training (8 levels) Musical theory and solfeggio (8 levels) Rhythmic reading (8 levels) Melodic and harmonic modern harmony (8 levels) History of Music ( 8 levels) IMPROVISATION Blues (8 levels) Rock - Heavy - Metal (8 levels) Jazz/Fusion (8 levels) INSTRUMENTAL PRACTICE Electric guitar: guitar techniques Electric guitar: funk (8 levels) Electric guitar: Pop (8 levels) Electric guitar: Jazz (8 levels) Electric guitar: Fusion (8 levels) Electric guitar: rock – blues / Electric guitar: hard rock – heavy metal (8 levels) Styling (8 levels) Solo guitar (8 levels) Rhytmic guitar (8 levels) Blues and Pop Complementary acoustic guitar COMPOSITION Composition Composition/arrangement: How to activate creativity How listening pleasure works How the listening pleasure is amplified How the listening pleasure is prolonged Fantasy control Evolutionary theory of musical creativity Envelopment of listening pleasure Game theory The four categories of the game Kinetics The theory of Surprise and Reassure The Regula Absurda The outrigger theory The perception of the difference in level The perception of disequilibrium Art as an extension of the game The esteem of art Teaching of listening: Elements of the art of music Envelopes of listening pleasure Development of the premonitory ear Teaching techniques: Manual difficulty: Monotasking, Multitasking, Overtasking Slow progress: Disorder of priorities Difficulty in keeping tempo: tendency to accelerate and slow down, inability to keep a regular time Difficulty in reading and solfeggio: slowness in recognizing notes, confusion of hand movement, difficulty in comprehension The system of teaching units of a text How to reduce the number of drop-outs Sound engineer/Turnist: Propagation and structure of sound: How to change the harmonic spectrum, Interference, Sympathy, Sound amplitude envelope, Effect: Modification of the amplitude envelope - The compressor, the expander, the distortion, manual volume control, delay lines, doopler effect, Lesley, flanger, chorus Microphoning techniques: microphones and pick.ups Acoustic treatment of environments: soundproofing, and insulation Between masking and definition Advanced stereophonization techniques Studio work: tips and "tricks of the trade". Performer: Studio work and direction The business of music Your instrument Professional musical experiences Stage management Performance Movies and cartoons Sound-tracks Composition of soundtracks for films and short films Production of Animation, multimedia, videomaking Cinematography Techniques Techniques and tools of record production Ensemble Music Rock music workshop Acoustica music workshop Classic orchestra SOUND ENGINEERING AND SOFTWARE Sound engineering: Acoustic Electronic and Electro-acoustic Connections, Patchbay and speakers The sound in the Digital Domain Microphones Analogic Microphoning techniques Midi Effects Equalizers Dynamic processors Analogic Sequencer Hardware Synthesis Massive Ozone 6 Software: Ableton Live 9 - 10 Logic Pro 9 e 10 Cubase: 5.0 - 8.5 Pro Tools 101 and 110 TRINITY COLLEGE (Great Britain/Italy) Member of the Italian Trinity Team Tutoring for rock & pop electric guitar exams Tutoring for acoustic guitar exams Plectrum guitar exams tutoring Tutoring for classical guitar exams Tutoring for performance exams Tutoring for improvisation in different styles (simple rock, pop, balld, heavy rock, country, blues, reggae, R’n’B, funk, shuffle, disco, latin, metal, jazz, boogie-woogie, boogie style rock, any common style including hybrid styles (eg.: rock blues, soul, samba, etc...) Tutoring for theory and solfeggio exams, rhythmic reading and reading at first sight (playback), ear training, history of music,, classical / modern harmony RGT@LCM (Registry of Guitar Tutors) at London College of Music (Great Britain/Italy/Singapore-Malaysia) Tutoring for rock & pop electric guitar exams Tutoring for rock & metal electric guitar exams Tutoring for blues & rock electric guitar exams Tutoring for acoustic guitar accompaniment exams Tutoring for acoustic guitar exams Plectrum guitar exams tutoring Tutoring for classical guitar exams Tutoring for performance exams Tutoring for improvisation in different styles (simple rock, pop, balld, heavy rock, country, blues, reggae, R’n’B, funk, shuffle, disco, latin, metal, jazz, boogie-woogie, boogie style rock, any common style including hybrid styles (eg.: rock blues, soul, samba, etc...) Tutoring for theory and solfeggio exams, rhythmic reading and reading at first sight (playback), ear training, history of music, classical / modern harmony ROCKSCHOOL RSL (Great Britain/Italy) Tutoring for electric guitar exams Tutoring for acoustic guitar exams Tutoring for performance exams Tutoring for improvisation in different styles (simple rock, pop, balld, heavy rock, country, blues, reggae, R’n’B, funk, shuffle, disco, latin, metal, jazz, boogie-woogie, boogie style rock, any common style including hybrid styles (eg.: rock blues, soul, samba, etc...) Tutoring for theory and solfeggio exams, rhythmic reading and reading at first sight (playback), ear training, history of music, classical / modern harmony Tutoring for musical softwares (Ableton, Cubase, ProTools, Logic Pro) exams ABRSM (Great Britain/Italy) Tutoring for classic guitar exams Tutoring for performance exams Tutoring for theory and solfeggio exams, rhythmic reading and ear training, classic harmony ST. CECILIA SCHOOL OF MUSIC (Australia/Italia) Tutoring for rock & pop electric guitar exams Tutoring for acoustic guitar exams Tutoring for plectrum guitar exams Tutoring for classic guitar exams Tutoring for performance exams Tutoring for band performance exams Tutoring for improvisation in different styles (simple rock, pop, balld, heavy rock, country, blues, reggae, R’n’B, funk, shuffle, disco, latin, metal, jazz, boogie-woogie, boogie style rock, any common style including hybrid styles (eg.: rock blues, soul, samba, etc...) Tutoring for theory and solfeggio exams, rhythmic reading and reading at first sight, ear training, classical / modern harmony SUMMER MUSIC STUDY HOLIDAYS: AMATEUR AND PROFESSIONAL WORKSHOP/SEMINARS: History of music on modern solo guitarists in different styles History of music on modern rhythm guitarists in different styles The electric guitar in the blues The lead guitar through the main techniques Amplifiers and effects for guitarists Solo and group performances History of the electric guitar History of rock music
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