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Rockschool music qualifications are tailor-made for the contemporary musician.
The Grade 5 Guitar exam is for candidates who have acquired intermediate skills and techniques and have developed an increasing sense of stylistic conviction. This is demonstrated through instrumental techniques, increasing rhythmic complexity and convincing solo and improvisation work. There are three types of exams available: Grade Exam, Graded Certificate or Performance Certificate.
The Guitar Grade 5 book will prepare you for improvisation, chord inversions, dual-octave arpeggios and more – it focuses in-depth on everything you need to know to pass your Grade 5 exam.
At Grade 5 the pieces last up to a maximum of 2 minutes 30 seconds. The pieces are over four pages. Emphasis is on notation accuracy, execution of stylistic techniques, technical control, developing solo and improvisation elements and communication of the music.
Rockschool Guitar Hit Tunes 2024 Syllabus
Rockschool Originals 2024 Syllabus
Rockschool Originals 2018 / 2012 Syllabus
At Grade 5 there are four groups of technical work. The examiner will ask for a selection from each group, and before starting this section candidates will be asked whether they would like to play the exercises along with the click or hear a single bar of click before commencing the test.
GROUP A – Scales (two octaves in eighth notes)
Tempo: 80 bpm
To be prepared in two positions. The first position is to be prepared on the E string from the starting notes F, G and A. The second position is to be prepared on the A string from the starting notes B, C and D. Candidates may have to make adjustments for open strings in fingerings of some scales.
GROUP B – Arpeggios (one octave in quarter notes)
Tempo: 80 bpm
GROUP C – Chords
Major and minor triads played in three inversions on the top three strings in the key of C. To be played in a continuous sequence.
GROUP D – Riff
Tempo: 100 bpm
In the exam, candidates will be asked to play the riff from the Grade 5 book to a backing track. The riff shown in bars 1 and 2 should be played in the same shape in bars 3–8. The root note of the pattern to be played is shown in the music in each of the subsequent bars.
At Grade 5, candidates will be offered the choice between Sight Reading or Improvisation & Interpretation. This is a previously unseen test. An example is shown in the Grade 5 book.
Tempo: 90 bpm
Key: F or G major, E or G minor
At Grade 5 there is an element of improvisation. This is in the form of a two-bar ending. The piece will be composed in the style of rock, funk or blues and will have chord symbols throughout. At Grade 5 the notation consists of half, quarter eighth notes and quarter note and eighth-note rests in 4/4. The test is eight bars long. The examiner will allow 90 seconds of preparation and practice time and will offer the option of practising with or without a metronome. Candidates will then perform the test for the examination.
Tempo: 90–100 bpm
Key: A or G major, E or G minor
In Grade 5, the improvisation and interpretation test contains a small amount of sight reading. This consists of a two-bar section of rhythm (chord) notation at the beginning of the test. Candidates will be asked to play the chords in the rhythm indicated and complete the test using an improvised line made up of chords and lead lines where indicated. This is played to a backing track of eight bars. Candidates will have 30 seconds preparation time and the examiner will offer the metronome as a guide throughout this time. Candidates will then have a complete practice run through with the backing track and then on the repeat, the test will be examined.
There are two tests which are: Melodic Recall and Harmonic Recall.
Melodic Recall
Tempo: 90 bpm
Key: D Major pentatonic or A Minor pentatonic
The examiner will play a two-bar melody with a drum backing. The first note of the melody will be the root note and the first interval will be descending. Candidates will be required to play the melody back on their instrument. The test will be played twice. Each time the test is played it is preceded by a one-bar count-in. There will be a short gap for practise, followed by a vocal count-in after which candidates will play the melody to the drum backing.
Harmonic Recall
Tempo: 90 bpm
Key: G major
Candidates will hear a tonic chord followed by a two-bar sequence in the key of G major played to a bass and drum backing. The sequence will be drawn from the I, IV, V and VIm chords and may occur in any combination. Candidates will be asked to play the chord sequence to the drum backing in the rhythm shown in the example from the grade book. This rhythm will be used in all examples of this test given in the exam. Candidates will then be asked to identify the sequence they have played to the examiner. The test will be played twice.
Each time the test is played the sequence is: count-in, tonic, count-in, chords. There will be a short gap to practise after the second playing. Candidates will then hear the count-in and tonic for the third time followed by a vocal count-in then must play the chords to the drum backing. Candidates should then identify the chords.
In this part of the exam, candidates will be asked five questions. Four of these questions will be about general music knowledge and the fifth question will be asked about their instrument.
Music Knowledge
In Grade 5, candidates will be asked to identify:
Instrument Knowledge
In Grade 5, candidates will be asked to identify:
There are three types of exam available, a Grade Exam, Graded Certificate, or Performance Certificate.
3 Performance Pieces (two of which may be Free Choice Pieces) | Candidates choose to play either Performance Pieces or Technical Exercises first | These account for 60% of the exam mark |
Technical Exercises (Section A, B, C and D for Level 3 qualifications) | Candidates choose to play either Performance Pieces or Technical Exercises first | These account for 15% of the exam mark |
Sight Reading or Improvisation & Interpretation (Debut to Grade 5); Quick Study Pieces (Grade 6 to Grade 8) | Candidates are given an unseen test to prepare and perform | This accounts for 10% of the exam marks |
2 Ear Tests | Candidates respond to 2 aural tests. | These account for 10% of the exam marks |
5 General Musicianship Questions | Candidates answer 5 questions based on one of the pieces performed | These account for 5% of the exam marks |
3 Performance Pieces (two of which may be Free Choice Pieces) | Candidates choose to play either Performance Pieces or Technical Exercises first | These account for 75% of the exam mark |
Technical Exercises | Candidates choose to play either Performance Pieces or Technical Exercises first | These account for 25% of the exam mark |
5 Performance Pieces only (three of these can be Free Choice Pieces) | These account for 20% of the exam mark each. |
(Please note: Graded Certificates consist of just Performance Pieces and Technical Exercises. Please see the exam structure tab for more info)
Attainment Band | Distinction | Merit | Pass | Below Pass | Below Pass 2 |
---|---|---|---|---|---|
Mark Range | 18-20 | 15-17 | 12-14 | 6-11 | 0-5 |
Command of Instrument | Consistently clear production of sound and even tone quality throughout | Mostly clear production of sound and even tone quality overall | Some clear production of sound and generally even tone quality | Sound produced is unclear with uneven quality of tone produced | No attempt and/or incomplete performance |
Sync or Pulse | Performance consistently synchronised to the music, or an internal pulse maintained | Performance mostly synchronised to the music, or an internal pulse maintained | Performance sometimes synchronised to the music, or an internal pulse maintained | Performance not synchronised to the music, or an internal pulse not maintained | No attempt and/or incomplete performance |
Accuracy & Understanding | all of the written music accurately performed or equivalent skills demonstrated throughout. Understanding of musical structure shown all of the time. | Most of the written music accurately performed or equivalent skills demonstrated overall. Understanding of musical structure shown most of the time. | Some of the written music accurately performed or equivalent skills generally demonstrated. Understanding of musical structure shown some of the time. | Written music not accurately performed or equivalent skills not demonstrated. Understanding of musical structure not evidenced. | No attempt and/or incomplete performance |
Style & Expression | Consistently convincing projection of the music. | Mostly convincing projection of the music. | Some convincing projection of the music. | Music not convincingly projected. | No attempt and/or incomplete performance |
Attainment Band | Distinction | Merit | Pass | Below Pass | Below Pass 2 |
---|---|---|---|---|---|
Mark Range | 13–15 | 11–12 | 9–10 | 4–8 | 0–3 |
Command of Instrument | Consistently clear production of sound and even tone quality throughout | Mostly clear production of sound and even tone quality overall | Some clear production of sound and generally even tone quality | Sound produced is unclear with uneven quality of tone produced | No attempt and/or incomplete performance |
Sync or Pulse | Performance consistently synchronised to the music, or an internal pulse maintained | Performance mostly synchronised to the music, or an internal pulse maintained | Performance sometimes synchronised to the music, or an internal pulse maintained | Performance not synchronised to the music, or an internal pulse not maintained | No attempt and/or incomplete performance |
Accuracy & Understanding | all of the written music accurately performed or equivalent skills demonstrated throughout. Understanding of musical structure shown all of the time. | Most of the written music accurately performed or equivalent skills demonstrated overall. Understanding of musical structure shown most of the time. | Some of the written music accurately performed or equivalent skills generally demonstrated. Understanding of musical structure shown some of the time. | Written music not accurately performed or equivalent skills not demonstrated. Understanding of musical structure not evidenced. | No attempt and/or incomplete performance |
Attainment Band | Distinction | Merit | Pass | Below Pass | Below Pass 2 |
---|---|---|---|---|---|
Mark Range | 9-10 | 7-8 | 6 | 3-5 | 0-2 |
Accuracy & Understanding | All of the written music accurately performed or equivalent skills demonstrated throughout. Understanding of musical structure shown all of the time. | Most of the written music accurately performed or equivalent skills demonstrated overall. Understanding of musical structure shown most of the time. | Some of the written music accurately performed or equivalent skills generally demonstrated. Understanding of musical structure shown some of the time. | Written music not accurately performed or equivalent skills not demonstrated. Understanding of musical structure not evidenced. | No attempt and/or incomplete performance |
Attainment Band | Distinction | Merit | Pass | Below Pass | Below Pass 2 |
---|---|---|---|---|---|
Mark Range | 9-10 | 7-8 | 6 | 3-5 | 0-2 |
Command of Instrument | Consistently clear production of sound and even tone quality throughout | Mostly clear production of sound and even tone quality overall | Some clear production of sound and generally even tone quality | Sound produced is unclear with uneven quality of tone produced | No attempt and/or incomplete performance |
Sync or Pulse | Performance consistently synchronised to the music, or an internal pulse maintained | Performance mostly synchronised to the music, or an internal pulse maintained | Performance sometimes synchronised to the music, or an internal pulse maintained | Performance not synchronised to the music, or an internal pulse not maintained | No attempt and/or incomplete performance |
Accuracy & Understanding | All of the written music accurately performed or equivalent skills demonstrated throughout. Understanding of musical structure shown all of the time. | Most of the written music accurately performed or equivalent skills demonstrated overall. Understanding of musical structure shown most of the time. | Some of the written music accurately performed or equivalent skills generally demonstrated. Understanding of musical structure shown some of the time. | Written music not accurately performed or equivalent skills not demonstrated. Understanding of musical structure not evidenced. | No attempt and/or incomplete performance |
Attainment Band | Distinction | Merit | Pass | Below Pass | Below Pass 2 |
---|---|---|---|---|---|
Mark Range | 5 correct responses | 4 correct responses | 3 correct responses | 2 correct responses | 0-1 correct responses |
Attainment Band | Distinction | Merit | Pass | Below Pass | Below Pass 2 |
---|---|---|---|---|---|
Mark Range | 18-20 | 15-17 | 12-14 | 6-11 | 0-5 |
Command of Instrument | Consistently clear production of sound and even tone quality throughout | Mostly clear production of sound and even tone quality overall | Some clear production of sound and generally even tone quality | Sound produced is unclear with uneven quality of tone produced | No attempt and/or incomplete performance |
Sync or Pulse | Performance consistently synchronised to the music, or an internal pulse maintained | Performance mostly synchronised to the music, or an internal pulse maintained | Performance sometimes synchronised to the music, or an internal pulse maintained | Performance not synchronised to the music, or an internal pulse not maintained | No attempt and/or incomplete performance |
Accuracy & Understanding | All of the written music accurately performed or equivalent skills demonstrated throughout. Understanding of musical structure shown all of the time. | Most of the written music accurately performed or equivalent skills demonstrated overall. Understanding of musical structure shown most of the time. | Some of the written music accurately performed or equivalent skills generally demonstrated. Understanding of musical structure shown some of the time. | Written music not accurately performed or equivalent skills not demonstrated. Understanding of musical structure not evidenced. | No attempt and/or incomplete performance |
Style & Expression | Consistently convincing projection of the music. | Mostly convincing projection of the music. | Some convincing projection of the music. | Music not convincingly projected. | No attempt and/or incomplete performance |
For the RSL shop we’ve chosen the most widely used media for ease of use and flexibility when transferring across different devices.
Every complete digital book (e.g. Electric Guitar Grade 1) includes:
We know downloading digital content can be frustrating at times which is why we’ve given you multiple chances to download your audio and sheet music.
Each complete digital book purchased includes:
The hard copy or paperback version can be purchased from our shop for shipping to the UK. Orders for shipping to other countries can be placed via www.musicroom.com. The paperback version includes everything you need for your exam in one essential book, including sheet music, a code for access to MP3 audio and complete supporting tests.
Digital downloads is the most popular way of purchasing and downloading a Rockschool book, track or supporting test. Rockschool digital book downloads come complete with PDF sheet music, MP3 audio and supporting tests for instant accessibility on all your favourite devices.
Note: Digital sheet music is stamped with your email address and order number.
The RSL e-books, utilising Learning Platform technology powered by MatchMySound, are the ultimate practise tool, giving you the ability to master your instrument like never before.