Rockschool music qualifications are tailor-made for the contemporary musician.
Drums
Grade 4
The Grade 4 Drum exam is for candidates who have been learning approximately two – two and half years and have mastered the basic skills, preliminary techniques and have acquired the beginnings of stylistic awareness. Grade 4 develops further stylistic conviction and understanding through developed solo and improvisation work and more complex groove patterns. There are two types of exams available at Grade 4, Grade Exam or Performance Certificate.
Estimated Examination Time:
- Grade Exam: 25 minutes (approx.)
- Performance Certificate: 20 minutes (approx.)
Purchase Your Book & Exam Entry
Rockschool’s Drums Grade 4 book is an in-depth guide to the expressive techniques that you’ll be performing in your Grade 4 exam, such as Ghost snare, flams and ruffs and hand and feet patterns.
Drums Grade 4
Rockschool's Drums Grade 4 book is an in-depth guide to the expressive techniques that you'll be ...
Graded Music Exam: Grade 4
All Instruments - General guidance: Graded Music Exams Overview - How to book an exam UK / Republ...
Performance Pieces
At Grade 4 the pieces last up to a maximum of 2 minutes 15 seconds. The pieces are over two pages and are designed so the candidate can retain focus and concentration. Emphasis is on notation accuracy, stylistic sense of groove, technical control including the execution of stylistic drum techniques, developing solo and improvisation elements and sync.
Featured Repertoire:
Rockschool Drums Hit Tunes 2024 Syllabus:
- Skunk Anansie – Weak
- Pearl Jam – Alive
- James Taylor – Your Smiling Face
- Paul Weller – The Changingman
- Sam Fender – Getting Started
- The Supremes – You Can’t Hurry Love
Rockschool Originals 2024 Syllabus
- Conjunction
- The Jump
- Promise
Rockschool Drums Hit Tunes 2018 Syllabus:
- Lynyrd Skynyrd – Sweet Home Alabama
- Aretha Franklin – Respect
- Coldplay – In My Place
- David Bowie – Let’s Dance
- The Fugees – Ready Or Not
- Stormzy – Scary
Rockschool Originals 2018 / 2012 Syllabus:
- Noisy Neighbour
- Cold Pants
- Attitude
- The Nod
- Hammerblow
- Jahmake Ska
Technical Exercises
At Grade 4 level there are five groups of technical work. The examiner will ask a selection from each group. All technical exercises are to be played to a click. Groups A–D should be played at tempo = 75.
GROUP A – Single and Double Strokes
Eighth, eighth note triplets and 16th notes. To be played first time with singles and with doubles on the repeat.
GROUP B – Paradiddles
Single paradiddle in 16th notes using the whole kit
Triple paradiddle in 16th notes using the whole kit
GROUP C – Flams and Ruffs
Flam tap and ruffs in quarter notes.
GROUP D – Hands and Feet Patterns
Four patterns.
GROUP E – Fill
Tempo: 80 bpm
In the exam, you will be asked to play the Fill exercise from the Grade 4 book to a backing track. The groove is shown in bars 1–3 and the examiner will choose one fill from a set of four to be played in bar 4. The candidate is to play the repeat.
Supporting Tests
At Grade 4 you will be offered a choice between Sight Reading or Improvisation & Interpretation. This is a previously unseen test and an example is shown in the Grade 4 book.
Sight Reading
Tempo: 80–90 bpm
At Grade 4 there is an element of improvisation. This is in the form of a two bar development. At Grade 4 the notation consists of quarter, dotted quarter, eighth, dotted eighth and 16th notes and quarter note and eighth note rests in 4/4. The test is 8 bars long and is on the whole kit. The examiner will allow 90 seconds preparation and practice time and will offer the option of practising with or without a metronome. The candidate will then perform the test for the examination.
Improvisation & Interpretation
Tempo: 80–120 bpm
In Grade 4, the improvisation and interpretation test contains a small amount of sight reading. This consists of a two bar groove at the beginning of the test. You will be asked to play the notation as indicated and complete the test developing the groove and ending with a two bar drum solo. This is played to a backing track of eight bars.
Ear Tests
There are two tests which are: Fill Playback & Recognition and Groove Recall.
Fill Playback & Recognition
Tempo: 70 bpm
The examiner will play you a one bar fill played on the snare drum with a metronome backing. You will hear the test twice. The test is made up of quarter, eighth, eighth note triplets and dotted eighth and 16th notes. Each time the test is played it is preceded by a one bar count-in. There will be a short gap for you to practise. Next you will hear a vocal count-in and you will then play the fill back with the metronome backing. The candidate will then be required to identify the test from three printed examples.
Harmonic Recall
Tempo: 80-120 bpm
The examiner will play you a two bar groove that is repeated played on the crash, hi hat (open and closed), ride, bell of ride, snare and bass drum with a metronome backing. You will hear the test twice. Each time the test is played it is preceded by a one bar count-in. There will be a short gap for you to practise. Next, you will hear a vocal count-in and you will then play the groove back with the metronome backing. You will then be required to identify the style of the groove from asset of three listed by the examiner.
General Musicianship Questions
For this section of the exam, the candidate chooses the piece to answer 5 questions on. The examiner will ask you four music knowledge questions and one instrument knowledge question.
Music Knowledge
In Grade 4 you will be asked to identify/explain:
- Drum voices on the stave
- The meaning of the time signature marking
- The meaning of bpm markings
- Repeat marks, first and second time bars, DC, DS al Coda, and al fine markings
- All note values in the chosen piece
- Equivalent rests
- One type of rudiment that can be used stylistically in the solo or development section of the piece
- Use of drum voices, rhythms and techniques in drum solo sections
Instrument Knowledge
In Grade 4, candidates will be asked to identify:
- Any part of the drumkit and drumstick
- How to tune the drum kit
- Cross stick, choke cymbal, bell of ride and accent
Exam Structure
There are two types of exam available, a Grade Exam or Performance Certificate.
Grade Exam
| 3 Performance Pieces (two of which may be Free Choice Pieces) | Candidates choose to play either Performance Pieces or Technical Exercises first | These account for 60% of the exam mark |
| Technical Exercises (Section A, B, C and D for Level 3 qualifications) | Candidates choose to play either Performance Pieces or Technical Exercises first | These account for 15% of the exam mark |
| Sight Reading or Improvisation & Interpretation (Debut to Grade 5); Quick Study Pieces (Grade 6 to Grade 8) | Candidates are given an unseen test to prepare and perform | This accounts for 10% of the exam marks |
| 2 Ear Tests | Candidates respond to 2 aural tests. | These account for 10% of the exam marks |
| 5 General Musicianship Questions | Candidates answer 5 questions based on one of the pieces performed | These account for 5% of the exam marks |
Performance Certificate
| 5 Performance Pieces only (three of these can be Free Choice Pieces) | These account for 20% of the exam mark each. |
Assessment Criteria
Performance Pieces
| Attainment Band | Distinction | Merit | Pass | Below Pass | Below Pass 2 |
|---|---|---|---|---|---|
| Mark Range | 18-20 | 15-17 | 12-14 | 6-11 | 0-5 |
| Command of Instrument | Consistently clear production of sound and even tone quality throughout | Mostly clear production of sound and even tone quality overall | Some clear production of sound and generally even tone quality | Sound produced is unclear with uneven quality of tone produced | No attempt and/or incomplete performance |
| Sync or Pulse | Performance consistently synchronised to the music, or an internal pulse maintained | Performance mostly synchronised to the music, or an internal pulse maintained | Performance sometimes synchronised to the music, or an internal pulse maintained | Performance not synchronised to the music, or an internal pulse not maintained | No attempt and/or incomplete performance |
| Accuracy & Understanding | all of the written music accurately performed or equivalent skills demonstrated throughout. Understanding of musical structure shown all of the time. | Most of the written music accurately performed or equivalent skills demonstrated overall. Understanding of musical structure shown most of the time. | Some of the written music accurately performed or equivalent skills generally demonstrated. Understanding of musical structure shown some of the time. | Written music not accurately performed or equivalent skills not demonstrated. Understanding of musical structure not evidenced. | No attempt and/or incomplete performance |
| Style & Expression | Consistently convincing projection of the music. | Mostly convincing projection of the music. | Some convincing projection of the music. | Music not convincingly projected. | No attempt and/or incomplete performance |
Technical Exercises
| Attainment Band | Distinction | Merit | Pass | Below Pass | Below Pass 2 |
|---|---|---|---|---|---|
| Mark Range | 13–15 | 11–12 | 9–10 | 4–8 | 0–3 |
| Command of Instrument | Consistently clear production of sound and even tone quality throughout | Mostly clear production of sound and even tone quality overall | Some clear production of sound and generally even tone quality | Sound produced is unclear with uneven quality of tone produced | No attempt and/or incomplete performance |
| Sync or Pulse | Performance consistently synchronised to the music, or an internal pulse maintained | Performance mostly synchronised to the music, or an internal pulse maintained | Performance sometimes synchronised to the music, or an internal pulse maintained | Performance not synchronised to the music, or an internal pulse not maintained | No attempt and/or incomplete performance |
| Accuracy & Understanding | all of the written music accurately performed or equivalent skills demonstrated throughout. Understanding of musical structure shown all of the time. | Most of the written music accurately performed or equivalent skills demonstrated overall. Understanding of musical structure shown most of the time. | Some of the written music accurately performed or equivalent skills generally demonstrated. Understanding of musical structure shown some of the time. | Written music not accurately performed or equivalent skills not demonstrated. Understanding of musical structure not evidenced. | No attempt and/or incomplete performance |
Ear Tests
| Attainment Band | Distinction | Merit | Pass | Below Pass | Below Pass 2 |
|---|---|---|---|---|---|
| Mark Range | 9-10 | 7-8 | 6 | 3-5 | 0-2 |
| Accuracy & Understanding | All of the written music accurately performed or equivalent skills demonstrated throughout. Understanding of musical structure shown all of the time. | Most of the written music accurately performed or equivalent skills demonstrated overall. Understanding of musical structure shown most of the time. | Some of the written music accurately performed or equivalent skills generally demonstrated. Understanding of musical structure shown some of the time. | Written music not accurately performed or equivalent skills not demonstrated. Understanding of musical structure not evidenced. | No attempt and/or incomplete performance |
Supporting Tests
| Attainment Band | Distinction | Merit | Pass | Below Pass | Below Pass 2 |
|---|---|---|---|---|---|
| Mark Range | 9-10 | 7-8 | 6 | 3-5 | 0-2 |
| Command of Instrument | Consistently clear production of sound and even tone quality throughout | Mostly clear production of sound and even tone quality overall | Some clear production of sound and generally even tone quality | Sound produced is unclear with uneven quality of tone produced | No attempt and/or incomplete performance |
| Sync or Pulse | Performance consistently synchronised to the music, or an internal pulse maintained | Performance mostly synchronised to the music, or an internal pulse maintained | Performance sometimes synchronised to the music, or an internal pulse maintained | Performance not synchronised to the music, or an internal pulse not maintained | No attempt and/or incomplete performance |
| Accuracy & Understanding | All of the written music accurately performed or equivalent skills demonstrated throughout. Understanding of musical structure shown all of the time. | Most of the written music accurately performed or equivalent skills demonstrated overall. Understanding of musical structure shown most of the time. | Some of the written music accurately performed or equivalent skills generally demonstrated. Understanding of musical structure shown some of the time. | Written music not accurately performed or equivalent skills not demonstrated. Understanding of musical structure not evidenced. | No attempt and/or incomplete performance |
General Musicianship Questions
| Attainment Band | Distinction | Merit | Pass | Below Pass | Below Pass 2 |
|---|---|---|---|---|---|
| Mark Range | 5 correct responses | 4 correct responses | 3 correct responses | 2 correct responses | 0-1 correct responses |
Performance Certificate
| Attainment Band | Distinction | Merit | Pass | Below Pass | Below Pass 2 |
|---|---|---|---|---|---|
| Mark Range | 18-20 | 15-17 | 12-14 | 6-11 | 0-5 |
| Command of Instrument | Consistently clear production of sound and even tone quality throughout | Mostly clear production of sound and even tone quality overall | Some clear production of sound and generally even tone quality | Sound produced is unclear with uneven quality of tone produced | No attempt and/or incomplete performance |
| Sync or Pulse | Performance consistently synchronised to the music, or an internal pulse maintained | Performance mostly synchronised to the music, or an internal pulse maintained | Performance sometimes synchronised to the music, or an internal pulse maintained | Performance not synchronised to the music, or an internal pulse not maintained | No attempt and/or incomplete performance |
| Accuracy & Understanding | All of the written music accurately performed or equivalent skills demonstrated throughout. Understanding of musical structure shown all of the time. | Most of the written music accurately performed or equivalent skills demonstrated overall. Understanding of musical structure shown most of the time. | Some of the written music accurately performed or equivalent skills generally demonstrated. Understanding of musical structure shown some of the time. | Written music not accurately performed or equivalent skills not demonstrated. Understanding of musical structure not evidenced. | No attempt and/or incomplete performance |
| Style & Expression | Consistently convincing projection of the music. | Mostly convincing projection of the music. | Some convincing projection of the music. | Music not convincingly projected. | No attempt and/or incomplete performance |
