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Rockschool music qualifications are tailor-made for the contemporary musician.
Rockschool Music Production was built with academic grounding and industry relevance in mind. Every practical, theoretical and aural test has been written and developed by industry professionals to give students an unrivalled level of academic grounding.
From Grades 6 to 8 candidates can tailor their learning to their strengths, choosing their area of specialism, from Audio Production, Electronic Music Production and Sound for Media, whilst earning valuable UCAS points for entry to higher education.
Designed to meet the needs of all aspiring recording engineers, electronic music producers, mix & mastering engineers; this syllabus caters for anyone interested in understanding the complete range of skills essential to modern music production.
From a diverse range of production techniques, to highly relevant technical DAW skills, the Rockschool Music Production syllabus gives aspiring engineers and producers everything they need to progress and succeed in the industry.
We recognise that Graded Music Exams should be accessible and relevant to a range of backgrounds and abilities so the coursework / exams are suitable for all music production software.
Rockschool Music Production has been designed so you can study in your own time, giving you ample time to develop a wealth of skills and techniques that are highly relevant to today’s industry.
Rockschool Music Production: Coursework Edition expands on our 25+ year history of innovation throughout music education, providing aspiring producers and engineers with the most accessible music production graded syllabus.
Whether you’re learning music production independently or with a music teacher, it’s easy to get started learning with Rockschool.
Our publications provide you with everything you need: a diverse range of production techniques, highly relevant technical DAW skills, and the fundamental music theory needed to succeed in today’s industry.
Demonstrate your skills and creativity in a simulated professional situation. Crank your production techniques to the max and smash the task at hand in your own time.
Want to achieve your Rockschool qualification? You’ve done your task, and now’s the time to complete your listening skills and music production theory tests in an online exam environment.
The Grade 1 Music Production exam is for candidates who have been learning between six months – one year and are competent in the foundations of music production.
The Rockschool Music Production Grade 1 book contains everything you need to pass your Grade 1 exam in one essential book, featuring a diverse range of production techniques, highly relevant technical DAW skills, and the fundamental music theory needed to succeed in today’s industry.
This will assess the candidate’s knowledge and understanding of the following two sections.
At Grade 1 the theory content covered will include subject areas such as identifying studio hardware, physical audio formats, analogue connectivity, computer & digital technology, DAW basics, microphones, MIDI basics, basic audio technology and the fundamentals of mono & stereo sound.
At Grade 1 candidates will be expected to:
The listening test will present candidates with questions relating to sonic fidelity, music theory and harmony and stylistic awareness. Audio files will be presented to the candidates and questions will relate specifically to the relevant audio file. This will assess the candidate’s ability to hear and interpret:
Sonic Fidelity
Identifying instruments in isolation and within a mix.
Music Theory & Harmony
Identifying relative pitch & basic note lengths.
Stylistic Awareness
Identifying specific genres.
At Grade 1 candidates will be expected to:
Candidates are advised to practice these techniques using the mock assessment files available from your secure area.
The Coursework Task combines:
At Grade 1 the technical skills will centre around session creation and basic inputting of notes using a software instrument.
The candidate will be presented with a situation and must choose and implement appropriate technique to resolve the scenario. At Grade 1 the scenario will require candidates to import a backing track into their DAW, record a melody, and bounce the resulting mix to a new stereo audio file.
Candidates must complete the Coursework Task before their exam and will be asked to upload the Task and the screenshots specified in the Coursework Task, during the exam. The completed session files must be appropriately named, saved and shared with your examiner as instructed, including all associated audio files. It is vital that candidates are able to accurately save their work as failure to do so will result in an unclassified mark.
Candidates will need to answer questions regarding the Task during the exam. These will focus on:
On your exam day, you must bring:
Candidates can take the exam on the computer provided at the examination centre or on their own laptop within the invigilated environment.
The graded examinations in Music Production are assessed via an examination. The examination is divided into the following sections:
A written examination covering knowledge of:
A listening test divided into three sections:
A Coursework Task, including technical skills, which candidates must complete before the exam and upload during the exam.
Assessment | |
---|---|
Form of Assessment | All assessments are carried out by external examiners. Candidates are required to carry out a combination of practical tasks and underpinning theoretical assessment |
Unit Format | Unit specifications contain the title, unit code, credit level, credit value, learning outcomes, assessment criteria, grade descriptor, and types of evidence required for the unit. |
Bands of Assessment | There are four bands of assessment (distinction, merit, pass and unclassified) for the qualification as a whole. |
Quality Assurance | Quality Assurance ensures that all assessments are carried out to the same standard by objective sampling and re-assessment of candidates’ work. A team of external examiners is appointed, trained and standardised by RSL. |
Attainment Band | Unclassified | Pass | Merit | Distinction |
---|---|---|---|---|
Mark Range | 0-14 | 15-18 | 19-20 | 21-25 |
Grade Descriptor | Demonstrated an understanding of the key terminology used in modern music production and the fundamentals of sound and audio less than 60% of the time. | Demonstrated an understanding of the key terminology used in modern music production and the fundamentals of sound and audio between 60% and 74% of the time. | Demonstrated an understanding of the key terminology used in modern music production and the fundamentals of sound and audio between 75% and 84% of the time | Demonstrated an understanding of the key terminology used in modern music production and the fundamentals of sound and audio more than 84% of the time. |
Attainment Band | Unclassified | Pass | Merit | Distinction |
---|---|---|---|---|
Mark Range | 0–8 | 9–10 | 11–12 | 13–15 |
Grade Descriptor | Demonstrated effective listening skills relevant to modern music production less than 60% of the time. | Demonstrated effective listening skills relevant to modern music production between 60% and 74% of the time. | Demonstrated effective listening skills relevant to modern music production between 75% and 84% of the time. | Demonstrated effective listening skills relevant to modern music production more than 84% of the time. |
Attainment Band | Unclassified | Pass | Merit | Distinction |
---|---|---|---|---|
Mark Range | 0-35 | 36-44 | 45-50 | 51-60 |
Grade Descriptor | Demonstrated effective music production technique in less than 60% of the coursework task. | Demonstrated effective music production technique in between 60% and 74% of the coursework task. | Demonstrated effective music production technique in between 75% and 84% of the coursework task. | Demonstrated effective music production technique in more than 84% of the coursework task. |
The Grade 2 Music Production exam is for candidates who have acquired basic music production knowledge and skills.
The Rockschool Music Production Grade 2 book contains everything you need to pass your Grade 2 exam in one essential book, featuring a diverse range of production techniques, highly relevant technical DAW skills, and the fundamental music theory needed to succeed in today’s industry.
This will assess the candidate’s knowledge and understanding of the following two sections.
At Grade 2 the theory content covered will include subject areas such as identifying studio hardware, digital file formats, digital connectivity, software components, DAW concepts & capabilities, microphones, non-linear editing concepts, EQ controls and hearing physiology.
At Grade 2 candidates will be expected to:
The listening test will present candidates with questions relating to sonic fidelity, music theory and harmony and stylistic awareness. Audio files will be presented to the candidates and questions will relate specifically to the relevant audio file. This will assess the candidate’s ability to hear and interpret:
Sonic Fidelity
Identifying timing and tuning flaws in a performance.
Music Theory & Harmony
Identifying major and minor triads and basic time signatures.
Stylistic Awareness
Identifying specific genres.
At Grade 2 candidates will be expected to:
Candidates are advised to practice these techniques using the mock assessment files available from your secure area.
The Coursework Task combines:
At Grade 2 the technical skills will centre around MIDI programming using software instruments and basic mix technique.
The candidate will be presented with a situation and must choose and implement appropriate technique to resolve the scenario. At Grade 2 the scenario will require candidates to rearrange provided audio and MIDI loops.
Candidates must complete the Coursework Task before their exam and will be asked to upload the Task and the screen shots specified in the Coursework Task, during the exam. The completed session files must be appropriately named, saved and shared with your examiner as instructed, including all associated audio files. It is vital that candidates are able to accurately save their work as failure to do so will result in an unclassified mark.
Candidates will need to answer questions regarding the Task during the exam. These will focus on:
On your exam day, you must bring:
Your exam centre will provide 1 x computer.
Candidates can take the exam on the computer provided at the examination centre or on their own laptop within the invigilated environment.
The graded examinations in Music Production are assessed via an examination. The examination is divided into the following sections:
A written examination covering knowledge of:
A listening test divided into three sections:
A Coursework Task, including technical skills, which candidates must complete before the exam and upload during the exam.
Assessment | |
---|---|
Form of Assessment | All assessments are carried out by external examiners. Candidates are required to carry out a combination of practical tasks and underpinning theoretical assessment |
Unit Format | Unit specifications contain the title, unit code, credit level, credit value, learning outcomes, assessment criteria, grade descriptor, and types of evidence required for the unit. |
Bands of Assessment | There are four bands of assessment (distinction, merit, pass and unclassified) for the qualification as a whole. |
Quality Assurance | Quality Assurance ensures that all assessments are carried out to the same standard by objective sampling and re-assessment of candidates’ work. A team of external examiners is appointed, trained and standardised by RSL. |
Attainment Band | Unclassified | Pass | Merit | Distinction |
---|---|---|---|---|
Mark Range | 0-14 | 15-18 | 19-20 | 21-25 |
Grade Descriptor | Demonstrated an understanding of the key terminology used in modern music production and the fundamentals of sound and audio less than 60% of the time. | Demonstrated an understanding of the key terminology used in modern music production and the fundamentals of sound and audio between 60% and 74% of the time. | Demonstrated an understanding of the key terminology used in modern music production and the fundamentals of sound and audio between 75% and 84% of the time | Demonstrated an understanding of the key terminology used in modern music production and the fundamentals of sound and audio more than 84% of the time. |
Attainment Band | Unclassified | Pass | Merit | Distinction |
---|---|---|---|---|
Mark Range | 0–8 | 9–10 | 11–12 | 13–15 |
Grade Descriptor | Demonstrated effective listening skills relevant to modern music production less than 60% of the time. | Demonstrated effective listening skills relevant to modern music production between 60% and 74% of the time. | Demonstrated effective listening skills relevant to modern music production between 75% and 84% of the time. | Demonstrated effective listening skills relevant to modern music production more than 84% of the time. |
Attainment Band | Unclassified | Pass | Merit | Distinction |
---|---|---|---|---|
Mark Range | 0-35 | 36-44 | 45-50 | 51-60 |
Grade Descriptor | Demonstrated effective music production technique in less than 60% of the coursework task. | Demonstrated effective music production technique in between 60% and 74% of the coursework task. | Demonstrated effective music production technique in between 75% and 84% of the coursework task. | Demonstrated effective music production technique in more than 84% of the coursework task. |
The Grade 3 Music Production exam is for candidates who have a good understanding of the core components of modern music production.
The Rockschool Music Production Grade 3 book contains everything you need to pass your Grade 3 exam in one essential book, featuring a diverse range of production techniques, highly relevant technical DAW skills, and the fundamental music theory needed to succeed in today’s industry.
This will assess the candidate’s knowledge and understanding of the following two sections.
At Grade 3 the theory content covered will include subject areas such as interpreting the functions of studio hardware, digital protocols, analogue connectivity, computer memory & storage, microphones, using loops, the MIDI protocol, dynamic processing and frequency.
At Grade 3 candidates will be expected to:
The listening test will present candidates with questions relating to sonic fidelity, music theory and harmony and stylistic awareness. Audio files will be presented to the candidates and questions will relate specifically to the relevant audio file. This will assess the candidate’s ability to hear and interpret:
Sonic Fidelity
Distinguishing between mono and stereo recordings and hearing different stereo widths.
Music Theory & Harmony
Identifying major, minor and blues scales and eighth note triplets.
Stylistic Awareness
Identifying specific genres.
At Grade 3 candidates will be expected to:
Candidates are advised to practice these techniques using the mock assessment files available from your secure area.
The Coursework Task combines:
At Grade 3 the technical skills will centre around creating audio loops from provided material.
The candidate will be presented with a situation and must choose and implement appropriate technique to resolve the scenario. At Grade 3 the scenario will require candidates to programme a simple backing track using a set chord structure. Therefore candidates must be confident in creating chords in the key of C major and G major.
Candidates must complete the Coursework Task before their exam and will be asked to upload the Task and the screen shots specified in the Coursework Task, during the exam. The completed session files must be appropriately named, saved and shared with your examiner as instructed, including all associated audio files. It is vital that candidates are able to accurately save their work as failure to do so will result in an unclassified mark.
Candidates will need to answer questions regarding the Task during the exam. These will focus on:
On your exam day, you must bring:
Your exam centre will provide 1 x computer.
Candidates can take the exam on the computer provided at the examination centre or on their own laptop within the invigilated environment.
The graded examinations in Music Production are assessed via an examination. The examination is divided into the following sections:
A written examination covering knowledge of:
A listening test divided into three sections:
A Coursework Task, including technical skills, which candidates must complete before the exam and upload during the exam.
Assessment | |
---|---|
Form of Assessment | All assessments are carried out by external examiners. Candidates are required to carry out a combination of practical tasks and underpinning theoretical assessment |
Unit Format | Unit specifications contain the title, unit code, credit level, credit value, learning outcomes, assessment criteria, grade descriptor, and types of evidence required for the unit. |
Bands of Assessment | There are four bands of assessment (distinction, merit, pass and unclassified) for the qualification as a whole. |
Quality Assurance | Quality Assurance ensures that all assessments are carried out to the same standard by objective sampling and re-assessment of candidates’ work. A team of external examiners is appointed, trained and standardised by RSL. |
Attainment Band | Unclassified | Pass | Merit | Distinction |
---|---|---|---|---|
Mark Range | 0-14 | 15-18 | 19-20 | 21-25 |
Grade Descriptor | Demonstrated an understanding of the key terminology used in modern music production and the fundamentals of sound and audio less than 60% of the time. | Demonstrated an understanding of the key terminology used in modern music production and the fundamentals of sound and audio between 60% and 74% of the time. | Demonstrated an understanding of the key terminology used in modern music production and the fundamentals of sound and audio between 75% and 84% of the time | Demonstrated an understanding of the key terminology used in modern music production and the fundamentals of sound and audio more than 84% of the time. |
Attainment Band | Unclassified | Pass | Merit | Distinction |
---|---|---|---|---|
Mark Range | 0–8 | 9–10 | 11–12 | 13–15 |
Grade Descriptor | Demonstrated effective listening skills relevant to modern music production less than 60% of the time. | Demonstrated effective listening skills relevant to modern music production between 60% and 74% of the time. | Demonstrated effective listening skills relevant to modern music production between 75% and 84% of the time. | Demonstrated effective listening skills relevant to modern music production more than 84% of the time. |
Attainment Band | Unclassified | Pass | Merit | Distinction |
---|---|---|---|---|
Mark Range | 0-35 | 36-44 | 45-50 | 51-60 |
Grade Descriptor | Demonstrated effective music production technique in less than 60% of the coursework task. | Demonstrated effective music production technique in between 60% and 74% of the coursework task. | Demonstrated effective music production technique in between 75% and 84% of the coursework task. | Demonstrated effective music production technique in more than 84% of the coursework task. |
The Grade 4 Music Production exam is for candidates who have a detailed understanding of modern music production.
45 minutes (approx.)
The Rockschool Music Production Grade 4 book contains everything you need to pass your Grade 4 exam in one essential book, featuring a diverse range of production techniques, highly relevant technical DAW skills, and the fundamental music theory needed to succeed in today’s industry.
This will assess the candidate’s knowledge and understanding of the following two sections.
At Grade 4 the theory content covered will include subject areas such as describing equipment controls, surround formats, wireless connectivity, backing up files, plugin concepts, stereo microphone techniques, non-linear editing, software instruments, side-chaining and sound propagation.
At Grade 4 candidates will be expected to:
The listening test will present candidates with questions relating to sonic fidelity, music theory and harmony and stylistic awareness. Audio files will be presented to the candidates and questions will relate specifically to the relevant audio file. This will assess the candidate’s ability to hear and interpret:
Sonic Fidelity
Identifying use of compression on instruments and mixes.
Music Theory & Harmony
Identifying semi tones and tones and compound time signatures.
Stylistic Awareness
Identifying specific genres.
At Grade 4 candidates will be expected to:
Candidates are advised to practice these techniques using the mock assessment files available from your secure area.
The Coursework Task combines:
At Grade 4 the technical skills will centre around use of equalisation (EQ) for corrective/creative purposes.
The candidate will be presented with a situation and must choose and implement appropriate technique to resolve the scenario. At Grade 4 the scenario will require candidates to remove unwanted noise from a recording using appropriate techniques such as manual editing, gating, crossfades.
Candidates must complete the Coursework Task before their exam and will be asked to upload the Task and the screenshots specified in the Coursework Task, during the exam. The completed session files must be appropriately named, saved and shared with your examiner as instructed, including all associated audio files. It is vital that candidates are able to accurately save their work as failure to do so will result in an unclassified mark.
Candidates will need to answer questions regarding the Task during the exam. These will focus on:
On your exam day, you must bring:
Your exam centre will provide 1 x computer.
Candidates can take the exam on the computer provided at the examination centre or on their own laptop within the invigilated environment.
The graded examinations in Music Production are assessed via an examination. The examination is divided into the following sections:
A written examination covering knowledge of:
A listening test divided into three sections:
A Coursework Task, including technical skills, which candidates must complete before the exam and upload during the exam.
Assessment | |
---|---|
Form of Assessment | All assessments are carried out by external examiners. Candidates are required to carry out a combination of practical tasks and underpinning theoretical assessment |
Unit Format | Unit specifications contain the title, unit code, credit level, credit value, learning outcomes, assessment criteria, grade descriptor, and types of evidence required for the unit. |
Bands of Assessment | There are four bands of assessment (distinction, merit, pass and unclassified) for the qualification as a whole. |
Quality Assurance | Quality Assurance ensures that all assessments are carried out to the same standard by objective sampling and re-assessment of candidates’ work. A team of external examiners is appointed, trained and standardised by RSL. |
Attainment Band | Unclassified | Pass | Merit | Distinction |
---|---|---|---|---|
Mark Range | 0-14 | 15-18 | 19-20 | 21-25 |
Grade Descriptor | Demonstrated an understanding of the key terminology used in modern music production and the fundamentals of sound and audio less than 60% of the time. | Demonstrated an understanding of the key terminology used in modern music production and the fundamentals of sound and audio between 60% and 74% of the time. | Demonstrated an understanding of the key terminology used in modern music production and the fundamentals of sound and audio between 75% and 84% of the time | Demonstrated an understanding of the key terminology used in modern music production and the fundamentals of sound and audio more than 84% of the time. |
Attainment Band | Unclassified | Pass | Merit | Distinction |
---|---|---|---|---|
Mark Range | 0–8 | 9–10 | 11–12 | 13–15 |
Grade Descriptor | Demonstrated effective listening skills relevant to modern music production less than 60% of the time. | Demonstrated effective listening skills relevant to modern music production between 60% and 74% of the time. | Demonstrated effective listening skills relevant to modern music production between 75% and 84% of the time. | Demonstrated effective listening skills relevant to modern music production more than 84% of the time. |
Attainment Band | Unclassified | Pass | Merit | Distinction |
---|---|---|---|---|
Mark Range | 0-35 | 36-44 | 45-50 | 51-60 |
Grade Descriptor | Demonstrated effective music production technique in less than 60% of the coursework task. | Demonstrated effective music production technique in between 60% and 74% of the coursework task. | Demonstrated effective music production technique in between 75% and 84% of the coursework task. | Demonstrated effective music production technique in more than 84% of the coursework task. |
The Grade 5 Music Production exam is for candidates who have practical experience of modern music production.
50 minutes (approx.)
The Rockschool Music Production Grade 5 book contains everything you need to pass your Grade 5 exam in one essential book, featuring a diverse range of production techniques, highly relevant technical DAW skills, and the fundamental music theory needed to succeed in today’s industry.
This will assess the candidate’s knowledge and understanding of the following two sections.
At Grade 5 the theory content covered will include subject areas such as signal routing, the Compact Disc format, patch bays, networking, file sharing, ambient microphone technique, multitrack recording, MIDI controllers, PCM theory and constructive interference.
At Grade 5 candidates will be expected to:
The listening test will present candidates with questions relating to sonic fidelity, music theory and harmony and stylistic awareness. Audio files will be presented to the candidates and questions will relate specifically to the relevant audio file. This will assess the candidate’s ability to hear and interpret:
Sonic Fidelity
Identifying resonant frequencies.
Music Theory & Harmony
Identifying seventh chords and swung rhythms.
Stylistic Awareness
Identifying specific genres.
At Grade 5 candidates will be expected to:
Candidates are advised to practice these techniques using the mock assessment files available from your secure area.
The Coursework Task combines:
At Grade 5 the technical skills will centre around session management and organisation such as creating, naming and colour coding tracks, creating markers, session file management.
The candidate will be presented with a situation and must choose and implement appropriate technique to resolve the scenario. At Grade 5 the scenario will require candidates to add musical layers to material using software instruments. Candidates are encouraged to practice listening to and duplicating melodies.
Candidates must complete the Coursework Task before their exam and will be asked to upload the Task and the screen shots specified in the Coursework Task, during the exam. The completed session files must be appropriately named, saved and shared with your examiner as instructed, including all associated audio files. It is vital that candidates are able to accurately save their work as failure to do so will result in an unclassified mark.
Candidates will need to answer questions regarding the Task during the exam. These will focus on:
On your exam day, you must bring:
Your exam centre will provide 1 x computer.
Candidates can take the exam on the computer provided at the examination centre or on their own laptop within the invigilated environment.
The graded examinations in Music Production are assessed via an examination. The examination is divided into the following sections:
A written examination covering knowledge of:
A listening test divided into three sections:
A Coursework Task, including technical skills, which candidates must complete before the exam and upload during the exam.
Assessment | |
---|---|
Form of Assessment | All assessments are carried out by external examiners. Candidates are required to carry out a combination of practical tasks and underpinning theoretical assessment |
Unit Format | Unit specifications contain the title, unit code, credit level, credit value, learning outcomes, assessment criteria, grade descriptor, and types of evidence required for the unit. |
Bands of Assessment | There are four bands of assessment (distinction, merit, pass and unclassified) for the qualification as a whole. |
Quality Assurance | Quality Assurance ensures that all assessments are carried out to the same standard by objective sampling and re-assessment of candidates’ work. A team of external examiners is appointed, trained and standardised by RSL. |
Attainment Band | Unclassified | Pass | Merit | Distinction |
---|---|---|---|---|
Mark Range | 0-14 | 15-18 | 19-20 | 21-25 |
Grade Descriptor | Demonstrated an understanding of the key terminology used in modern music production and the fundamentals of sound and audio less than 60% of the time. | Demonstrated an understanding of the key terminology used in modern music production and the fundamentals of sound and audio between 60% and 74% of the time. | Demonstrated an understanding of the key terminology used in modern music production and the fundamentals of sound and audio between 75% and 84% of the time | Demonstrated an understanding of the key terminology used in modern music production and the fundamentals of sound and audio more than 84% of the time. |
Attainment Band | Unclassified | Pass | Merit | Distinction |
---|---|---|---|---|
Mark Range | 0–8 | 9–10 | 11–12 | 13–15 |
Grade Descriptor | Demonstrated effective listening skills relevant to modern music production less than 60% of the time. | Demonstrated effective listening skills relevant to modern music production between 60% and 74% of the time. | Demonstrated effective listening skills relevant to modern music production between 75% and 84% of the time. | Demonstrated effective listening skills relevant to modern music production more than 84% of the time. |
Attainment Band | Unclassified | Pass | Merit | Distinction |
---|---|---|---|---|
Mark Range | 0-35 | 36-44 | 45-50 | 51-60 |
Grade Descriptor | Demonstrated effective music production technique in less than 60% of the coursework task. | Demonstrated effective music production technique in between 60% and 74% of the coursework task. | Demonstrated effective music production technique in between 75% and 84% of the coursework task. | Demonstrated effective music production technique in more than 84% of the coursework task. |
The Grade 6 Music Production exam is for candidates who have mastered basic music production technique and can use creativity to enhance their productions.
70 minutes (approx.)
The Rockschool Music Production Grade 6 book contains everything you need to pass your Grade 6 exam in one essential book, featuring a diverse range of production techniques, highly relevant technical DAW skills, and the fundamental music theory needed to succeed in today’s industry.
This will assess the candidate’s knowledge and understanding of the following two sections.
At Grade 6 the theory content covered will include subject areas such as creative uses for studio hardware, lossy audio formats, balanced audio, cloud storage, plugins, multi microphone technique, automation, basic software synthesis, dynamic range and sound isolation.
At Grade 6 candidates will be expected to:
The listening test will present candidates with questions relating to sonic fidelity, music theory and harmony and stylistic awareness. Audio files will be presented to the candidates and questions will relate specifically to the relevant audio file. This will assess the candidate’s ability to hear and interpret:
Sonic Fidelity
Identifying industry standard effects.
Music Theory & Harmony
Identify diminished and augmented triads and genre specific drum grooves.
Stylistic Awareness
Identifying specific genres.
At Grade 6 candidates will be expected to:
Candidates are advised to practice these techniques using the mock assessment files available from your secure area.
The Coursework Task combines:
At Grade 6 the technical skills will centre around adding effects using buses and auxiliaries.
The candidate will be presented with a situation and must choose and implement appropriate technique to resolve the scenario. At Grade 6 the candidate may choose to specialise in Audio Production, Electronic Music Production or Sound for Media:
Candidates must complete the Coursework Task before their exam and will be asked to upload the Task and the screen shots specified in the Coursework Task, during the exam. The completed session files must be appropriately named, saved and shared with your examiner as instructed, including all associated audio files. It is vital that candidates are able to accurately save their work as failure to do so will result in an unclassified mark.
Candidates will need to answer questions regarding the Task during the exam. These will focus on:
On your exam day, you must bring:
Your exam centre will provide 1 x computer.
Candidates can take the exam on the computer provided at the examination centre or on their own laptop within the invigilated environment.
The graded examinations in Music Production are assessed via an examination. The examination is divided into the following sections:
A written examination covering knowledge of:
A listening test divided into three sections:
A Coursework Task, including technical skills, which candidates must complete before the exam and upload during the exam.
Assessment | |
---|---|
Form of Assessment | All assessments are carried out by external examiners. Candidates are required to carry out a combination of practical tasks and underpinning theoretical assessment |
Unit Format | Unit specifications contain the title, unit code, credit level, credit value, learning outcomes, assessment criteria, grade descriptor, and types of evidence required for the unit. |
Bands of Assessment | There are four bands of assessment (distinction, merit, pass and unclassified) for the qualification as a whole. |
Quality Assurance | Quality Assurance ensures that all assessments are carried out to the same standard by objective sampling and re-assessment of candidates’ work. A team of external examiners is appointed, trained and standardised by RSL. |
Attainment Band | Unclassified | Pass | Merit | Distinction |
---|---|---|---|---|
Mark Range | 0-14 | 15-18 | 19-20 | 21-25 |
Grade Descriptor | Demonstrated an understanding of the key terminology used in modern music production and the fundamentals of sound and audio less than 60% of the time. | Demonstrated an understanding of the key terminology used in modern music production and the fundamentals of sound and audio between 60% and 74% of the time. | Demonstrated an understanding of the key terminology used in modern music production and the fundamentals of sound and audio between 75% and 84% of the time | Demonstrated an understanding of the key terminology used in modern music production and the fundamentals of sound and audio more than 84% of the time. |
Attainment Band | Unclassified | Pass | Merit | Distinction |
---|---|---|---|---|
Mark Range | 0–8 | 9–10 | 11–12 | 13–15 |
Grade Descriptor | Demonstrated effective listening skills relevant to modern music production less than 60% of the time. | Demonstrated effective listening skills relevant to modern music production between 60% and 74% of the time. | Demonstrated effective listening skills relevant to modern music production between 75% and 84% of the time. | Demonstrated effective listening skills relevant to modern music production more than 84% of the time. |
Attainment Band | Unclassified | Pass | Merit | Distinction |
---|---|---|---|---|
Mark Range | 0-35 | 36-44 | 45-50 | 51-60 |
Grade Descriptor | Demonstrated effective music production technique in less than 60% of the coursework task. | Demonstrated effective music production technique in between 60% and 74% of the coursework task. | Demonstrated effective music production technique in between 75% and 84% of the coursework task. | Demonstrated effective music production technique in more than 84% of the coursework task. |
The Grade 7 Music Production exam is for candidates who are competent in music production technique, and are capable of overcoming challenging situations.
70 minutes (approx.)
The Rockschool Music Production Grade 7 book contains everything you need to pass your Grade 7 exam in one essential book, featuring a diverse range of production techniques, highly relevant technical DAW skills, and the fundamental music theory needed to succeed in today’s industry.
This will assess the candidate’s knowledge and understanding of the following two sections.
At Grade 7 the theory content covered will include subject areas such as working around equipment faults, format incompatibility, connectivity faults, software optimisation, latency, phase, stereo width, groove/quantisation, signal noise and studio monitoring.
At Grade 7 candidates will be expected to:
The listening test will present candidates with questions relating to sonic fidelity, music theory and harmony and stylistic awareness. Audio files will be presented to the candidates and questions will relate specifically to the relevant audio file. This will assess the candidate’s ability to hear and interpret:
Sonic Fidelity
Identifying stereo phase issues on instrument and full mix recordings.
Music Theory & Harmony
Identifying harmonic & melodic minor scales, son and rumba clave.
Stylistic Awareness
Identifying specific genres.
At Grade 7 candidates will be expected to:
Candidates are advised to practice these techniques using the mock assessment files available from your secure area.
The Coursework Task combines:
At Grade 7 the technical skills will centre around correcting the timing in a performance.
The candidate will be presented with a situation and must choose and implement appropriate technique to resolve the scenario. At Grade 7 the candidate may choose to specialise in Audio Production, Electronic Music Production or Sound for Media:
Candidates must complete the Coursework Task before their exam and will be asked to upload the Task and the screen shots specified in the Coursework Task, during the exam. The completed session files must be appropriately named, saved and shared with your examiner as instructed, including all associated audio files. It is vital that candidates are able to accurately save their work as failure to do so will result in an unclassified mark.
Candidates will need to answer questions regarding the Task during the exam. These will focus on:
On your exam day, you must bring:
Your exam centre will provide 1 x computer.
Candidates can take the exam on the computer provided at the examination centre or on their own laptop within the invigilated environment.
The graded examinations in Music Production are assessed via an examination. The examination is divided into the following sections:
A written examination covering knowledge of:
A listening test divided into three sections:
A Coursework Task, including technical skills, which candidates must complete before the exam and upload during the exam.
Assessment | |
---|---|
Form of Assessment | All assessments are carried out by external examiners. Candidates are required to carry out a combination of practical tasks and underpinning theoretical assessment |
Unit Format | Unit specifications contain the title, unit code, credit level, credit value, learning outcomes, assessment criteria, grade descriptor, and types of evidence required for the unit. |
Bands of Assessment | There are four bands of assessment (distinction, merit, pass and unclassified) for the qualification as a whole. |
Quality Assurance | Quality Assurance ensures that all assessments are carried out to the same standard by objective sampling and re-assessment of candidates’ work. A team of external examiners is appointed, trained and standardised by RSL. |
Attainment Band | Unclassified | Pass | Merit | Distinction |
---|---|---|---|---|
Mark Range | 0-14 | 15-18 | 19-20 | 21-25 |
Grade Descriptor | Demonstrated an understanding of the key terminology used in modern music production and the fundamentals of sound and audio less than 60% of the time. | Demonstrated an understanding of the key terminology used in modern music production and the fundamentals of sound and audio between 60% and 74% of the time. | Demonstrated an understanding of the key terminology used in modern music production and the fundamentals of sound and audio between 75% and 84% of the time | Demonstrated an understanding of the key terminology used in modern music production and the fundamentals of sound and audio more than 84% of the time. |
Attainment Band | Unclassified | Pass | Merit | Distinction |
---|---|---|---|---|
Mark Range | 0–8 | 9–10 | 11–12 | 13–15 |
Grade Descriptor | Demonstrated effective listening skills relevant to modern music production less than 60% of the time. | Demonstrated effective listening skills relevant to modern music production between 60% and 74% of the time. | Demonstrated effective listening skills relevant to modern music production between 75% and 84% of the time. | Demonstrated effective listening skills relevant to modern music production more than 84% of the time. |
Attainment Band | Unclassified | Pass | Merit | Distinction |
---|---|---|---|---|
Mark Range | 0-35 | 36-44 | 45-50 | 51-60 |
Grade Descriptor | Demonstrated effective music production technique in less than 60% of the coursework task. | Demonstrated effective music production technique in between 60% and 74% of the coursework task. | Demonstrated effective music production technique in between 75% and 84% of the coursework task. | Demonstrated effective music production technique in more than 84% of the coursework task. |
The Grade 8 Music Production exam is for candidates who have mastered music production and are capable of critiquing their own work; therefore achieving a professional finish to their productions.
70 minutes (approx.)
The Rockschool Music Production Grade 8 book contains everything you need to pass your Grade 8 exam in one essential book, featuring a diverse range of production techniques, highly relevant technical DAW skills, and the fundamental music theory needed to succeed in today’s industry.
This will assess the candidate’s knowledge and understanding of the following two sections.
At Grade 8 the theory content covered will include subject areas such as comparing studio hardware, audio file formats, analogue vs. digital technology, microphone technique choice, vocal comping, triggered samples, balanced audio advantages and acoustic room design.
At Grade 8 candidates will be expected to:
The listening test will present candidates with questions relating to sonic fidelity, music theory and harmony and stylistic awareness. Audio files will be presented to the candidates and questions will relate specifically to the relevant audio file. This will assess the candidate’s ability to hear and interpret:
Sonic Fidelity
Identifying high and low resolution audio files.
Music Theory & Harmony
Identifying modes of the major scale and irregular time signatures.
Stylistic Awareness
Identifying specific genres.
At Grade 8 candidates will be expected to:
Candidates are advised to practice these techniques using the mock assessment files available from your secure area.
The Coursework Task combines:
At Grade 8 the technical skills will centre around creative music production technique such as parallel compression.
The candidate will be presented with a situation and must choose and implement appropriate technique to resolve the scenario. At Grade 8 the candidate may choose to specialise in Audio Production, Electronic Music Production or Sound for Media:
Candidates must complete the Coursework Task before their exam and will be asked to upload the Task and the screenshots specified in the Coursework Task, during the exam. The completed session files must be appropriately named, saved and shared with your examiner as instructed, including all associated audio files. It is vital that candidates are able to accurately save their work as failure to do so will result in an unclassified mark.
Candidates will need to answer questions regarding the Task during the exam. These will focus on:
On your exam day, you must bring:
Your exam centre will provide 1 x computer.
Candidates can take the exam on the computer provided at the examination centre or on their own laptop within the invigilated environment.
The graded examinations in Music Production are assessed via an examination. The examination is divided into the following sections:
A written examination covering knowledge of:
A listening test divided into three sections:
A Coursework Task, including technical skills, which candidates must complete before the exam and upload during the exam.
Assessment | |
---|---|
Form of Assessment | All assessments are carried out by external examiners. Candidates are required to carry out a combination of practical tasks and underpinning theoretical assessment |
Unit Format | Unit specifications contain the title, unit code, credit level, credit value, learning outcomes, assessment criteria, grade descriptor, and types of evidence required for the unit. |
Bands of Assessment | There are four bands of assessment (distinction, merit, pass and unclassified) for the qualification as a whole. |
Quality Assurance | Quality Assurance ensures that all assessments are carried out to the same standard by objective sampling and re-assessment of candidates’ work. A team of external examiners is appointed, trained and standardised by RSL. |
Attainment Band | Unclassified | Pass | Merit | Distinction |
---|---|---|---|---|
Mark Range | 0-14 | 15-18 | 19-20 | 21-25 |
Grade Descriptor | Demonstrated an understanding of the key terminology used in modern music production and the fundamentals of sound and audio less than 60% of the time. | Demonstrated an understanding of the key terminology used in modern music production and the fundamentals of sound and audio between 60% and 74% of the time. | Demonstrated an understanding of the key terminology used in modern music production and the fundamentals of sound and audio between 75% and 84% of the time | Demonstrated an understanding of the key terminology used in modern music production and the fundamentals of sound and audio more than 84% of the time. |
Attainment Band | Unclassified | Pass | Merit | Distinction |
---|---|---|---|---|
Mark Range | 0–8 | 9–10 | 11–12 | 13–15 |
Grade Descriptor | Demonstrated effective listening skills relevant to modern music production less than 60% of the time. | Demonstrated effective listening skills relevant to modern music production between 60% and 74% of the time. | Demonstrated effective listening skills relevant to modern music production between 75% and 84% of the time. | Demonstrated effective listening skills relevant to modern music production more than 84% of the time. |
Attainment Band | Unclassified | Pass | Merit | Distinction |
---|---|---|---|---|
Mark Range | 0-35 | 36-44 | 45-50 | 51-60 |
Grade Descriptor | Demonstrated effective music production technique in less than 60% of the coursework task. | Demonstrated effective music production technique in between 60% and 74% of the coursework task. | Demonstrated effective music production technique in between 75% and 84% of the coursework task. | Demonstrated effective music production technique in more than 84% of the coursework task. |
Booking your graded music exam is an extremely simple process. Simply purchase your exam entry from our online shop before completing your exam details via your RSL Awards secure account.
Sit the Music Production exam from the comfort of your own home. The exam is conducted online – all you need is a computer and internet connection.
Download the Rockschool Music Production syllabus for free! Here you will also find a range of resources to support your journey with Rockschool.
Find your nearest RSL Awards teacher by using the search below. Our exams are also available across the globe. Click here to search international teachers or institutions.
Please find all music production exam fees below. If you’re based outside the UK, please hit the button below.
Exam Grade | Price |
---|---|
Grade 1 | £53.00 |
Grade 2 | £53.00 |
Grade 3 | £53.00 |
Grade 4 | £76.00 |
Grade 5 | £76.00 |
Grade 6 | £95.00 |
Grade 7 | £95.00 |
Grade 8 | £95.00 |
*E-certificate included. Printed certificate available for an additional £3.50 per exam (certificates are only issued for Pass, Merit or Distinction results).
Please see “other fees” below relating to UK Graded Music Exams.
Late Entry, Date Changes & Deferrals
Service | Applicable When... | Fee |
---|---|---|
Date Change | Changing exam date/time after appointment slip has been issued | £30 |
Deferral | Deferring exam to future exam period | £30 |
Please see the UK Graded Exams Date Change & Deferral policy for circumstances where the fee can be waived.
In the event that your video submission cannot be marked or marking is impacted because guidelines have not been followed correctly, you will be charged 75% of the entry fee to make a resubmission.
Enquiries about Results / Appeals
Service | Fee | Cap for Multiple Candidates | Refundable |
---|---|---|---|
Remark | 50% of Exam Fee | £100 | If marks change by more than +/-5 or there is a change of assessment band |
First Level Appeal | 60% of Exam Fee | £150 | If enquiry is upheld |
Second Level Appeal | 75% of Exam Fee | £200 | If enquiry if upheld |
Replacement Certificate
Service | Fee |
---|---|
Replacement Certificate | £15 |
For the RSL shop we’ve chosen the most widely used media for ease of use and flexibility when transferring across different devices.
Every complete digital book (e.g. Electric Guitar Grade 1) includes:
We know downloading digital content can be frustrating at times which is why we’ve given you multiple chances to download your audio and sheet music.
Each complete digital book purchased includes:
The hard copy or paperback version can be purchased from our shop for shipping to the UK. Orders for shipping to other countries can be placed via www.musicroom.com. The paperback version includes everything you need for your exam in one essential book, including sheet music, a code for access to MP3 audio and complete supporting tests.
Digital downloads is the most popular way of purchasing and downloading a Rockschool book, track or supporting test. Rockschool digital book downloads come complete with PDF sheet music, MP3 audio and supporting tests for instant accessibility on all your favourite devices.
Note: Digital sheet music is stamped with your email address and order number.
The RSL e-books, utilising Learning Platform technology powered by MatchMySound, are the ultimate practise tool, giving you the ability to master your instrument like never before.